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Nasheed Hub: Tala‘al Badru Alayna

The Nasheed Hub, an initiative of SeekersHub Global, aims to showcase the traditional Islamic art of nasheed, or Islamic devotional songs.

Tala’al Badru Alayna

Tala’al Badru Alayna (The Full Moon Rose Over Us) is the oldest nasheed recorded in the Islamic tradition. It is a beautiful expression of love and yearning for the Prophet Muhammad, peace be upon him. Tala'al Badru Alayna

Picture this scene: for days, the people of Medina have been anxiously awaiting the arrival of the Prophet. Every day, they have gone to the outskirts of the city to watch and wait.

One day, they set out and wait all morning, then retire in the blazing midday heat. Before long, they hear a man on his rooftop calling out, telling them that he sees two men on the horizon.

The people come running, and they burst out into this song:

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About Nasheed Hub

Throughout the decades and civilizations of Islam, the vocal tradition, sometimes known as nasheed or devotional songs, were penned as a way of celebrating and giving thanks to Allah for the message of Islam, as well as for the Messenger himself.
These nasheeds were a way for people to turn towards their Lord in joyful celebration, rather than stringent routine. They were also tools to spread the message of Islam in a non-confrontational way. These nasheeds were able to reach out to those who were alienated or indifferent to the religion and the Muslim community, as well as to teach children who were too young for academic study.
These nasheeds originating from all corners of the Muslim world – from West Africa to Malaysia, from Turkey to Great Britian – mirror their own culture but all carry a common thread: love of Allah and His Messenger.
This series will explore the different nasheeds, penned by some of the great historical Muslim figures, poets, and scholars.


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Ustadha Zaynab Ansari on Amazing Muslim Women: Umm Ma‘baad

Ustadha Zaynab Ansari, in partnership with Muslimah Media, speaks in a 5-part series about the amazing Muslim women who paved the way for others after them.

Umm Ma‘baad, whose real name was Atiqah bint Khalid al-Khuzaiya, was a very fascinating woman. She is most famous for being the first woman to narrate a comprehensive description of the Prophet in a hadith.

Unexpected Guests

Umm Ma‘baad was an archetype of the Bedouin people. She was strong, intelligent, and possessed a mastery of the Arabic language, which the Bedouins were known for. She lived in a tent outside of Mecca, and she would make a living by operating a “rest stop.” She would distribute dates, meat, and milk to the travellers passing by. Umm Ma‘baad

One day, she was sitting in her tent, when two men appeared. They seemed to be in a rush, but Umm Ma‘baad saw something very special.

Because all her sheep had gone out to pasture, there was no milk to feed to the guests. One of the men asked for an old sheep, which was not giving milk. He passed his hand over her udder and it became filled with milk, which everyone drank from.

The Hadith of Umm Ma‘baad

Of course, these two men were the Prophet and Abu Bakr, on their migration from Mecca to Medina. When her husband returned, she told him what had happened. She described the Prophet as very radiant, and handsome. She described his luminous eyes and beautiful speech, and how the ones in his company deferred to him with so much respect.

Umm Ma‘baad was just trying to tell her husband about her visitors, but her description became one of the most famous hadith about the Prophet. Anyone learning about the characteristics of the Prophet, or learning about the Prophetic biography, is sure to come across her narration.

Although this was the first and last time she met the Prophet, her description was so concise and eloquent that it became immortalized in history.

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“Home” by Warsan Shire

Warsan ShireWarsan Shire is a Kenyan-born Somali poet, writer and educator based in London. Born in 1988, Warsan has read her work extensively all over Britain and internationally – including recent readings in South Africa, Italy, Germany, Canada, North America and Kenya- and her début book, ‘TEACHING MY MOTHER HOW TO GIVE BIRTH’ (flipped eye), was published in 2011. Her poems have been published in Wasafiri, Magma and Poetry Review and in the anthology ‘The Salt Book of Younger Poets’ (Salt, 2011). She is the current poetry editor at SPOOK magazine. In 2012 she represented Somalia at the Poetry Parnassus, the festival of the world poets at the Southbank, London. She is a Complete Works II poet. Her poetry has been translated into Italian, Spanish and Portuguese. Warsan is also the unanimous winner of the 2013 Inaugural Brunel University African Poetry Prize.

Laith Majid cries tears of joy and relief that he and his children have made it to Europe. Photograph: Daniet Etter/New York Times/Redux /eyevine
Photograph by Daniet Etter/New York Times/Redux /eyevine. Laith Majid cries tears of joy and relief that he and his children have made it to Europe.

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